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・ Abraham Conat
・ Abraham Constantin
・ Abraham Constantin Mouradgea d’Ohsson
・ Abraham Cooper
・ Abraham Cornelisz van der Schalcken
・ Abraham Cornelius
・ Abraham Coronado
・ Abraham Cowley
・ Abraham Creighton, 1st Baron Erne
・ Abraham Creighton, 2nd Earl Erne
・ Abraham Cresques
・ Abraham Cressy Morrison
・ Abraham Crijnssen
・ Abraham Cronbach
・ Abraham Cruz
Abraham Cruzvillegas
・ Abraham Cunard
・ Abraham Curry
・ Abraham Curry House
・ Abraham Cykiert
・ Abraham D. Mattam
・ Abraham da Cagliari
・ Abraham Darby
・ Abraham Darby Academy
・ Abraham Darby I
・ Abraham Darby II
・ Abraham Darby III
・ Abraham Darby IV
・ Abraham Davel
・ Abraham Davenport


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Abraham Cruzvillegas : ウィキペディア英語版
Abraham Cruzvillegas

Abraham Cruzvillegas (born 1968, Mexico City) is a Mexican conceptual artist. He is best known for his work with found objects, and particularly his ongoing "autoconstrucción" project.
== Biography ==

Cruzvillegas was grew up in Ajusco, a district in the south of Mexico City. He studied Philosophy and Art at the National Autonomous University of Mexico (UNAM). He later became a professor and went on to teach Art History and Theory at UNAM.
As a sculptor and writer, Cruzvillegas began as a central participant in a new wave of conceptual art in Mexico City during the 1980s and 90s, studying under Gabriel Orozco from 1987 to 1991. Orozco has been proposed as the "dominant influence" on his work.〔'Built from Life', Aesthetica Magazine, 1 February 2013, Retrieved on 16.6.14, http://www.aestheticamagazine.com/built-from-life〕 Along with Orozco, Damian Ortega, Dr Lakra, and Minerva Cuevas, Cruzvillegas was considered part of a new movement in Latin American art (which has been compared to the YBA boom in Britain in the 1980s.〔"()". Financial Times. Retrieved on 1 April 2011〕〔http://www.nytimes.com/2011/03/27/arts/design/dr-lakra-exhibits-tattoo-inspired-drawings-in-new-york.html New York Times, 24 March 2011, Retrieved on 1 April 2011]〕 or the Modernist movement of the 1920s 〔See 'Art and Architecture in Mexico', James Oles, (Thames and Hudson, 2013) p.391〕).
Together with Gabriel Kuri, Lakra and Orozco, he participated in "Friday Workshops" (Taller de los Viernes) in the 1980s, a weekly meeting in which the artists met and collaborated.〔'Built from Life', Aesthetica Magazine, 1 February 2013, Retrieved on 16.6.14, http://www.aestheticamagazine.com/built-from-life〕 As Cruzvillegas explained in the exhibition catalogue for 'Escultura Social: A New Generation of Art from Mexico City (2007): "We learned together to discuss, criticise, and transform our work individually, with no programmes, marks, exams, diplomas or reprisals. We did not intend to become known, prepare for a show, go against the grain, make our presence felt as a group, or even make work … this was my education".〔>'Built from Life', Aesthetica Magazine, 1 February 2013, Retrieved on 16.6.14, http://www.aestheticamagazine.com/built-from-life〕 This then developed into the artist-run space "Temistocles 44" in the 1990s, founded by Eduardo Abaroa and Cruzvillegas.

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